Recent Piano Preludes
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"The Man Who Saved Ben-Hur" released on Amazon today! https://t.co/oRHksxVbTM Here's a bit of my score. https://t.co/FufdKZpOnQ
— Chuck Graef (@chuckgraef) July 27, 2016
.@ForteJoeForte's grt doc @savedbenhur rel'd tom'w on @amazon & @iTunesMovies by @VisionFilmCo!Proud to be involved.https://t.co/nXJevO1EeM
— Chuck Graef (@chuckgraef) July 25, 2016
Congrats Jason Cilo &c. @MeetinghouseTV on #RealscreenAward for Anonymous: Inside The Meeting! Proud to be composer! pic.twitter.com/iSOdjCrJ3y
— Chuck Graef (@chuckgraef) June 10, 2016
Very excited to serve the vision of the fashion geniuses of Vogue Magazine!
Excited to have this beautiful show seen! Proud to have been involved. | Anonymous: Inside the Meeting, 4/9@ 10pm. https://t.co/nOTSvEGw2t
— Chuck Graef (@chuckgraef) April 6, 2016
Thinking of all the great movies I’ve seen lately: Mustang, Boy And The World, Jim: The James Foley Story, Meru, City Of Gold, Pina, The Little Prince, The Wrong Move, Alice In The Cities, Disturbing The Peace, Neon Bull, No Burqas Behind Bars, and Creative Control. So much terrific work. Particularly blown away by Mustang and Neon Bull, amazing new voices, and No Burqas Behind Bars, which is an absolutely startling document and exemplifies everything that’s vital about documentary film. Pina makes the best use of 3D I’ve ever seen, and Pina Bausch’s choreography and stage pictures are so vital and brilliant. And as for Win Wenders’s 70s road pictures, I want to live in them.
‘Emma’s Fine’ continues to tour the world. Today it screens in Dakar, Senegal at the Léopold Sédar Senghor Museum.
Here’s the trailer:
EMMA'S FINE | trailer from TANGIBLE MATTER on Vimeo.